The grapes have withered on the vine
Spiez is a small, quaint little town (pop 12,500) on the south shore of Lake Thun.
Michael and I enjoy walking through the pathways to get to the vineyards when we visit Spiez.
We were saddened to read this sign and even more saddened to see some the grapes withered on the vine.
Have this translator program that comes in handy.
Some of the vines still appeared to be healthy. From looking around, I think the grapes for white wine fared better. The leaves seem healthier as compared to the leaves for red wine grapes.
It was a hazy,hot and humid day. So many people swimming in Lake Thun!
Benches are placed throughout the vineyard. Michael and I stopped, enjoyed the view and listened to the music off in the distance at the Seaside Festival.
The Niesen is the Swiss pyramid on Lake Thun. The Niesen has the longest staircase in the world with 11,674 steps. The summit of the mountain is 7,749 ft (2,362 meters) in elevation.
Signs are scattered around the vineyard to provide you with additional information.
This chestnut tree always reminds me of Henry Wadsworth Longfellow poem The Village Blacksmith which begins:
Under a spreading chestnut tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.
The poet's message in "The Village Blacksmith" is that hard work and self-reliance are among the most important things in life.
Spiez Castle is surrounded by vineyards in what is said to be the prettiest bay in Europe. The imposing tower of Spiez Castle can be seen on the left side of the bay.
Beautiful fuchsia trees.
A turreted medieval castle with its 128 ft (39 m) tower offers scenic views over the landscaped garden and the lake.
Romanesque Castle Church
"Here, right on the edge of the steep cliff, enclosed by the churchyard wall, is the early Romanesque church. The information we have about the church is far earlier than any reliable information about the fortress. This knowledge was garnered partly from the archaeological findings which came to light during the restoration of the church in 1949/50, partly from the extraordinarily early written reference to the church dating from 762 A.D. and partly from the archaeological remains of a small Carolingian single-nave church with lateral annexes and an apse. This first church was already dedicated to St. Lawrence.
The current church
Around 1000 A.D. or towards the mid-11th c. this first church was replaced by the current church. It was possibly with this in mind that the tower was constructed. Due to its location on the steep promontory, the church was accessible through a steep stair in the west. The Spiez Castle Church is a great conserved example for the early Romanesque architecture. The three-nave, flat-ceilinged pillar basilica with four bays has a vaulted chancel with a raised middle apse over the large crypt and two lateral secondary apses, all three with anterior bays. The structures of the central nave and the flanking aisles, of the bay of the main choir and the apses are staggered in height. Originally the masonry was grouted so the face of the stones was exposed (pietra rasa technique, visible in the south apse), but has certainly been smoothly plastered since the late Middle Ages. The barrel-vaulted inner raised choir is reached via nine stone steps and opens onto the quadratic front bays of the secondary apses via low arcades. Simple stucco work from 1670/76 decorates the slightly protruding choir arch, the connecting arcades, and the recess to the apse. In the north-west corner the tower is located and was incorporated in the building when the current church was constructed. The apses are articulated with pilaster strips and a frieze of blind arches.
From the period around 1200 or the first quarter of the 13th c. are the Romanesque wall paintings. In the middle of the barrel vault of the choir bay, Christ is painted with raised hands in the Byzantine tradition in the mandorla, enthroned on a rainbow being transported to heaven by four angels. The apse calotte was decorated with the Virgin Mother enthroned in a gloriole, surrounded by the Romanesque Evangelist symbols. The Romanesque paintings are some of the best examples we have in Switzerland, in terms of scope, arrangement, quality and iconography.
In the nave, above the pulpit is a larger than life-size St. Christopher, dated to around 1300. The late Gothic pulpit is an unusual piece, constructed of plaster reinforced with wood, probably from the time around 1518/22. From around the same time is the pew carved in low relief with the Erlach crest and the monogram of Christ. The conversion of the Baroque style in 1670/76 under Sigismund von Erlach brought more radical alterations to the existing structure with further changes to the windows and the levelling out of the heights of the interior and the ridge. He also added new layers of plastering and stucco and capped the crypt. 1831 Franz Josef Remigius Bossart of Baar built in an organ, which is in a well-preserved condition and working order. It is situated on the west gallery, which was renovated in 2018. The conversion to the Baroque style was largely reversed during the sweeping renovations carried out by Walter Sulser in 1949/50, after a long investigation into the extent of the alterations. A particular challenge was the restoration of the crypt.
History of ownership and use
The castle church, located just next to the castle, is a perfect example of an early medieval proprietary church. The current, early Romanesque building has been altered astoundingly little. Around 1466, the chronicler Elogius Kiburger asserted that the building had served an Augustinian monastery, a claim possibly supported by the existence of the crypt, but also the magnificent wall paintings and their subjects. In 1228 however, it was already simply referred to as a parish church. It continued to fulfil this function till the construction of the church in the village in 1907.
Until 1949 the church also functioned as a monument to the von Erlach family. The renovation in 1670/76 included the creation of a large stucco coat of arms in the barrel of the choir vault and an extensive collection of heraldic stained glass panes, which actually form a genealogical gallery of Sigismund von Erlach (1614-1699) now stored in the castle. What still remain in the church are the numerous funerary monuments. Sigismund had the northern secondary apse readapted as his mausoleum. On the side wall is the gravestone of Jeanne de la Sarraz, the second wife of Adrian von Bubenberg, from the end of the 15th c., which was uncovered in 1949. On the floor a gravestone for Albert von Erlach, in the south wall for Karl Albrecht von Erlach – the counterpart to Sigimund’s tomb is the epitaph of Franz Ludwig von Erlach, which was moved from the southern secondary apse to the west wall in 1950. The two large funerary monuments from the 17th c. do not just immortalize important members of the von Erlach family; they are also objects of significance for the whole of Switzerland.
With the construction of the new church in the village in 1907, the castle church lost its status as a parish church. It has belonged to Spiez Castle Foundation since 1929. Today it is a popular place for weddings, as well as concerts and event hall of all kinds."
Sailboats, swimmers.... clouds were starting to move in
The dog really had a wonderful time.
Now.... these are quite interesting!
I have never seen anything like this before.
Is it a boat, a car....
The advertisement for the Seaside Festival:
"This year the Seaside Festival takes place for the third time in the idyllic Spiez Bay. Nestled between the vineyards, with a view of the castle, mountains and lake, behind the stage the majestic, all-monitoring Niesen, the Seaside Festival in Spiez is a true place of power. A diverse, high-quality range of food and drinks, beautiful decorations with great attention to detail and atmospheric lighting round off the festival visit. The Seaside Festival has set itself the task of focusing on decelerating and spending time with friends and family. The festival connects generations and enables carefree concert experiences. Well-known acts from the pop world perform on Friday, while on Saturday mainly bands with a longer history play.A musical journey into the past, with songs that shaped music history."
Steady stream of people walking to the festival.
Great day for sailing
Since we were at the lake, I decided to take the boat back to Interlaken as I didn't want to walk up that long steep hill to the train station.
Cruising on Lake Thun
The time is precise when one boat comes in and another leaves.
The pyramid shaped Niesen off in the distance
Spiez off in the distance
So many different shades of green
Everyone has told us they have had a rainy cold summer. The cold water must be tempting on a hot day like today.
We sat on the sundeck of the boat along with this group that just left the boat.
This is only a small amount of drinks they had drunk.
The paddle wheel passes along side.
The triangle shaped building is a hotel.
St. Beatus Caves
The St. Beatus Caves are a group of stalactite caves.
"According to legend, a gruesome fire-breathing dragon is said to have lived in the caves in the Middle Ages . Saint Beatus met him with the cross and invoked the Holy Trinity. Thereupon the dragon fled and rushed with a roar into Lake Thun and drowned. Saint Beatus is said to have built his hermitage in the cave and lived there until his death. At the entrance to the cave, the grave of St. Beatus and a replica of his cell can be viewed today. Until the Reformation there was a pilgrimage chapel in the cave in honor of the saint, which was subordinate to the Interlaken Monastery. The Bern government had the chapel torn down in 1528 and the cave entrance walled up to prevent pilgrimages. The Catholic Unterwaldners did not allow themselves to be deterred from further pilgrimages and broke open the wall again; so the walling up and breaking up went on several times.
Neuhaus was a busy place for sunbathers. Young and old soaked up the sun.